How Social Media Algorithms Promote Misinformation, and How We Can Educate Our Students
Recently YouTube began removing conspiracy videos from their recommended video algorithm. This algorithm has promoted conspiracy videos to the top of YouTube’s video suggestions for years. YouTube is not alone in this – many other digital media companies are also promoting false and misleading information via algorithmic “feeds.” Today, many people are consuming media exclusively through these feeds. These feeds take many forms – in social media, push notifications on our smartphones, the news page on sites like Google and Reddit, or a combination of all of the available methods for media consumption. We don’t always seek out our information; sometimes it just “comes to us.” And increasingly information come to us by way of machine-learning algorithms. In this context it is important for academic librarians, especially those in the liberal arts setting, to revisit our commitment to educating our students to critically examine sources in an information world increasingly curated by algorithms.
We don’t know much about how these algorithms operate. Largely, the way these algorithms decide the flow of information to consumers is an industry secret. Companies aren’t sharing this information publicly because it is extremely valuable intellectual property. For instance, we know that YouTube used to curate their recommended video selection based on what a user has viewed in the past. Specifically in this instance, “watch time” was the primary metric. The amount of time a user spent watching videos on certain topics would then be compared to other similar users, and thus recommended videos would be “fed” to the end user based on what other similar users have watched. This is why conspiracy videos, such as Modern Flat Earth Theory, became so prominent on YouTube. The more a video grabbed users’ attention, the more minutes users logged watching that video. And thus, the higher that video surely ranked on YouTube’s recommended video list.
We can safely deduce YouTube’s algorithm was not ranking videos based on their veracity. And this is a problem that is spread across the entire digital media landscape – Amazon and Hulu still list conspiracy videos in their “documentary” sections.
In the past, media consumers could trust a central authority – trusted newspapers, publishers, or television networks – to vet the feed of their information. Consumers have not, at least in recent history, been accustomed to critically evaluating and vetting the information that comes their way. Today there is no longer a central authority in this same way, and in large part the vetting process has been automated. The media landscape has become so decentralized that not only are users experiencing “echo chambers” and “bubbles” in social media, but these bubbles are getting smaller and smaller thanks to machine learning. Algorithms are getting so good at curating people’s information feeds that these bubbles aren’t shared by large groups of people any more – each individual lives in their own filter bubble. And with the investments being made in artificial intelligence and machine learning, we can only expect the landscape to get more decentralized, not less.
This is one of the reasons why my colleagues at Carlow University’s Grace Library have begun a new commitment to digital and media literacy as part of our information literacy vision. We hope to realize this vision through several methods. First, by embedding information literacy and critical thinking skills into the core curriculum. Second, by tying our information literacy instruction to the new ACRL Framework for Information Literacy in Higher Education. And third, by incorporating learning outcomes into our reference interactions (for example: encouraging students to seek resources from diverse perspectives). By working towards these goals, we hope to reach more students and encourage them to ask critical questions about all of the information they consume.
It is more important than ever to stress the importance of peer review, scholarly communication, and the research and knowledge creation process. But as part of a commitment to a liberal arts education, we must also train our students to ask critical questions about the media they consume outside of the research process as well, as our goal is to prepare students to become well-rounded adults and informed citizens in society.
These are nebulous and difficult questions to ask, and this problem is not something academic librarians can hope to tackle on their own. This issue is larger than a liberal arts university library. In my opinion, teaching students to deal with a decentralized media landscape is the information literacy challenge of our time. To equip students with the skills required to vet their information feeds, librarians must partner with faculty and build sustainable initiatives to reach as many students as possible. And educating students about the role of machine learning in their information feeds is a critical component of that overall goal.

- For more on filter bubbles and social media algorithms, see The Filter Bubble: How the New Personalized Web Is Changing What We Read and How We Think by Eli Pariser.
Finding New Followers
Do you ever feel like you post things to social media and no one cares? Sure your core audience saw it (may the algorithms forever be in your favor), but only a few liked it. Then that post you worked really hard on with great photography and awesome hashtags falls flat with only a few likes. You are not alone.
So how do you raise your profile in a professional, but fun way? Short answer… it’s a work in progress. Our team has been specifically looking at how to grow our audience and up our views and likes on Instagram since this is the most popular platform for our audience.
Are we using Adobe Lightroom? No. Are we doing paid advertising on Instagram to promote ourselves. We wish. Are we cross promoting our Instagram on other platforms? Check. Although, we should do it again and more regularly.
Are we promoting all our social media via email marketing? Finally… we’ve started to email students directly (with lots of help from our awesome campus Marketing and Communications department).
Are we doing Instagram stories? Yes! This is our new focus and we hope it pays off. As the spring semester continues we will be doing different stories and a series called “Senior Spotlight” featuring all our graduating senior student workers in a Q. & A. session. Our first Insta-story was live a week ago and got 131 views. We will hopefully complete at six or more before the end of the semester.
The library’s social media committee student contributors are leading the way this initiative and we as staff are following. ;) Here’s hoping new audiences do the same.
Photo credits in order of appearance:
- Lebanon Valley College. “Lebanon Valley College Library” Box Collection, Lebanon Valley College Archives Photograph Collection, circa 1960, Annville, PA.
- Kristich, Bethany. “Senior Spotlight: Cheyenne Troxell!” Instagram, 2019, https://bit.ly/2BItkF1
C&CS Session “What Does PA Forward and the Star Library Program Have To Do With Academic Libraries?” now available
Great turn out for yesterday’s session, “What Does PA Forward and the Star Library Program Have To Do With Academic Libraries?”. The session has been recorded and is available at the following link:
Closed captioning should be available within a few hours of uploading. We thank our session presenters, Christina Steffy, Amy Snyder and Joann Eichenlaub for their excellent insight into the Star Library Program and how we can go about creating sessions and advocating with the PA Forward program.
Experiencing imposter syndrome when working with upper-class students?
One of the areas we are focusing on for assessment during this academic year involves upper-level classes/students. The English department is one of my liaison areas and I’m meeting with that department’s Capstone class three times this semester. Today was the second time the class would be coming to the library. Through discussions with the professor, we had decided that what the students might benefit from most, at this stage in their research, was a one-on-one reference desk appointment with a librarian. I was able to recruit two of my colleagues to help and so we each met with three or four students for about 20 minutes at a time.
As I prepared to meet with these students, I found myself wondering if I was going to be able to understand their topics enough to help them. It’s been over ten years since I’ve taken an English class and even then, I hadn’t read most of the texts these students were using. What if I couldn’t offer the students anything valuable? Would a bad interaction with this class deter their professor from wanting to work with the library again? It feels like there can be an expectation that librarians are walking encyclopedias, able to answer questions on any topic without hesitation. Having met with this class once before and hearing what they intended their research topics to be, I felt like a big imposter. How was I supposed to help someone who already knew more than me?
I was worried that students wouldn’t take me seriously if I admitted that I didn’t know what they were talking about. However, in almost every interaction, I found myself admitting to students up front: “I am not familiar with this text” or “I’ve never heard of genre theory”. This gave students a chance to explain these topics to me and in some cases I think providing an explanation to me helped them clarify their understanding of it. One of my colleagues said she too had this experience and felt that by us admitting we didn’t know something; the students were more comfortable admitting they didn’t know how to search in certain databases or weren’t familiar with the library website.
I found that I really enjoyed these interactions, perhaps more than my normal ref desk interactions, because they turned out to be a conversation between equals: they “experts” on their topic and I an “expert” on how to find information using library resources. They had already tried many of the more basic search strategies and based on that work I found it easier to come up with suggestions for how they could take their searches to the next level: suggesting databases they might not have known about, helping them track down citations, or even assisting with E-Z Borrow and ILL requests.
I met with four students, and each one of them walked away with at least a few new sources that they could explore further. I also think that they walked away with a deeper appreciation of how talking with a librarian could help them during their research. After class I talked with my colleagues and they both indicated that they thought some of the students they met with would be seeking them out for further assistance as their projects progressed. Which I think is great news for the students and for us.
For now, the imposter has been banished and I’m feeling good about my ability to assist all of our student patrons, even the 400-level capstone researchers. Do you have many opportunities to interact with your upper-level students? How do you feel about trying to represent yourself as someone who can help in your liaison areas, even if you aren’t an expert in those subjects?
Your Bookish Guide to the Oscars
The Oscars air on Sunday, and Oscar season always makes me want to put up a display — it’s easy to highlight classic award-winning films and this year’s contenders. In the face of constant threats of campus closures due to bad weather, students may want to grab up a few movies to pass the time.
But in addition to the films, I’m always interested in the Best Adapted Screenplay category, which is often the book’s time to shine at film’s “big night.” While many will always claim that the film is never better than the book (I will argue that Jaws makes a much better film), films can take a different perspective on the source material and even introduce audiences to a book that can become a new favorite.
This year’s Best Adapted Screenplay category features a range of films adapted from novels and memoirs (and A Star Is Born, versions 1-3). Let’s take a dive into the “adapted from literature” nominees!
BlacKkKlansman, screenplay by Spike Lee, Charlie Wachtel, David Rabinowitz and Kevin Willmott
Adapted from Black Klansman: A Memoir by Ron Stallworth.
In 1978, Ron Stallworth is the first and only black police officer in Colorado Springs, Colorado. He sees a classified ad in the newspaper for the local chapter of the Ku Klux Klan with an address to write to for more information. Mr. Stallworth wrote a note expressing his interest in joining — but forgot to sign his undercover name, and instead signs his real name. He soon receives a phone call asking if he would like to join the KKK.
Working with a white colleague who posed as Ron, Mr. Stallworth and the police department were able to infiltrate the Klan in Colorado Springs and prevent a great deal of their activities and potential violence; he even spoke regularly on the phone to KKK Grand Wizard David Duke about Klan operations, who had no idea he was speaking to a black man.
Can You Ever Forgive Me?, screenplay by Nicole Holofcener and Jeff Whitty
Adapted from Can You Ever Forgive Me?: Memoirs of a Literary Forger by Lee Israel
Author Lee Israel had a successful career writing biographies of the notable, the rich, and the famous. But her success dried up and by 1990, she was broke and in need of a lifeline. She turned to forgery — typing up 300 fake letters in the names of literary superstars and selling them to collectors before she was caught.
If Beale Street Could Talk, screenplay by Barry Jenkins
Adapted from If Beale Street Could Talk by James Baldwin
Tish and Lonny, a young black couple, fall in love, have a child, and intend to marry. But Lonny is falsely accused of a crime and is jailed.
Tish and her family work to find a lawyer and prove Lonny’s innocence as they consider their relationship and their place in the world.
The Ballad of Buster Scruggs, Screenplay by Joel and Ethan Coen
Adapted from All Gold Canyon by Jack London and The Girl Who Got Rattled by Stewart Edward White
The Coen brothers adapted two chapters of their Western-anthology film from stories by London and White which were originally published in The Century Magazine in 1904 and 1901, respectively. All Gold Canyon, tells the story of a gold miner’s life in the American West, complete with both astounding beauty and violence. The Girl Who Got Rattled recounts a trip West by a woman and her fiance, and the guides who help them survive.
See who wins on Sunday!
Emily Mross is the Business Librarian and Library Outreach Coordinator at Penn State Harrisburg Library.


