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Got an Appetite for Visual Storytelling? Dig into the Lynd Ward Graphic Novel Prize Winners!

August 27, 2021

Craving a bit of visual storytelling that lasts longer than a serving of TikTok, YouTube, or Instagram? In a world hungry for image-based content, the graphic novel continues to sustain and grow ever-popular as a visual storytelling specialty.

As noted by Pennsylvania (PA) Center for the Book emeritus director Steven Herb, the “Penn State University (PSU) Libraries have been on the cutting edge of recognizing the graphic novel as an important and emerging medium through our collections, programming, and our leadership in the integration of the form with academic programs studying its scholarly attributes (English, literature, art, popular culture, LGBT studies, women’s studies, history, and science).”

These observations were part of the October 1, 2010, planning proposal for the Lynd Ward Graphic Novel Prize and were supported by examples such as the Pattee Library exhibit, Graphic Novels: Comics as Art, History, and Literature, curated by former Coordinator of Audio-Visual Collections and Fred Waring’s America, Eileen Akin (Jan-Mar 2007), and the Graphic Novel Speaker Series inspired by the exhibit, sponsored and co-sponsored by the PA Center for the Book and various PSU Library departments between February 2007 and March 2010.

Together these two initiatives gave rise to the annual Lynd Ward Graphic Novel prize administered by the PA Center for the Book. The PA Center for the Book is an affiliate of the Center for the Book established in 1977 at the Library of Congress and is sponsored by the PSU University Libraries. It encourages Pennsylvania’s citizens and residents to study, honor, celebrate, and promote books, reading, libraries, and literacy.

Established in 2011 in acknowledgement of Lynd Ward’s contributions to the genre with his introduction of wordless, woodcut novels in American (1929-1937), the Lynd Ward Graphic Novel Prize holds visual work to a standard of being more “than an illustrated text-driven novel” and expects it to demonstrate “artistic and literary quality, ambition, and/or innovation,” while weaving an “engaging and descriptive narrative, in word choice and/or visually,” per the Lynd Ward Prize Selection Criteria.

Administered by PA Center for the Book Assistant Director, Ellysa Stern Cahoy and with support of Advisory Board members, the Lynd Ward Prize is awarded annually to “the best graphic novel, fiction or nonfiction, published in the previous calendar year by a living U.S. or Canadian citizen or resident.”

Titles recognized by the award include King of King Court: A Memoir by Travis Dandro (Drawn & Quarterly), noted by 2020 Judges as the winner for its “deft intermingling of word and image” to effectively convey a deeply personal story of familial trauma and resilience. That same year, New Kid by Jerry Craft (Quill Tree Books/HarperCollins) was selected as the Honor Book for its “nuanced representation of an African-American boy” navigating private [middle] school and home life and its illustration of “how toxic our [visual] ways of ‘reading the other’ can be.”

Dragon Hoops by Gene Luen Yang (First Second), one of two 2021 Honor Books, has also been named the Best Publication for Teens by the 2021 Will Eisner Comic Industry Awards.

The Lynd Ward Graphic Novel Prize winner of 2021 is Guantanamo Voices: True Accounts from the World’s Most Infamous Prison edited by Sarah Mirk (Abrams ComicArts), lauded for its diverse collection of points-of-view presented in “a solid example of graphic journalism.”

Guantanamo Voices Book Cover/ Image credit: Abrams ComicArts

A Virtual Celebration and Presentation by Mirk will be held:
Tuesday, November 16, 2021
7:00-8:00 p.m.

Facebook Invite
Click Here for Virtual Access!

Mirk will receive a $2,500 prize along with, courtesy of the Library of America, a two-volume set of Lynd Ward: Six Novels in Woodcuts by Lynd Ward (2010).

Previous Lynd Ward Prize award ceremonies, in which creators share details and images of their creative process and vision, can be viewed from the Lynd Ward Prize Playlist on the PA Center for the Book YouTube page.

Lynd Ward Prize Playlist, YouTube/ Image credit: PA Center for the Book

As the genre expands, the Lynd Ward Graphic Novel Prize continues to acknowledge high-quality work based on its effectiveness in delivering “a sum experience that is superior to its respective components.”

Meanwhile, Penn State’s appetite for the genre continues to grow, for example, with the introduction of Penn State Press’ Graphic Mundi imprint in 2021 (which published Menopause: A Comic Treatment [Graphic Medicine], winner of two 2021 Eisner Awards) and the expansion of scholarly fields, such as Visual Literacy in Graphic Novels/Comics, supported by Comics & Animation PSU Library Guides, among others.

So when the latest Snapchat dematerializes and you’ve exed your last pop-up ad of the day, settle in with a graphic novel – perhaps a wordless tale that deepens one woodcut image per page at a time by Ward himself – if you crave a hearty story with cumulative, synergistic power.

For more information about the Lynd Ward Graphic Novel Prize, visit the PA Center for the Book website or contact Ellysa Stern Cahoy (ellysa@psu.edu), Assistant Director.

To Map or Not to Map? That is the Question.

August 18, 2021

Curriculum mapping projects are an increasingly common way librarians engage with their liaison programs. A quick search for “(curriculum mapping) AND (libraries OR library OR librarian)” in Library, Information Science & Technology Abstracts via EBSCOhost in August 2021 returned 109 results, with the ten most relevant cited 22 times. The question remains though, what benefit is there to you to embark on such a project; is it worthwhile for your liaison areas? 

Curriculum mapping examines what is taught, who teaches it, if instructional goals are met, and the efficacy of the process. Program learning objectives are charted visually to align with courses and form a map to allow the reader a birds eye view of a program’s curriculum as a whole, discover gaps and redundancies, and empower departments to enhance student learning (Buchanan et al., 2015, p. 95). A curriculum map will look something like this: 

Course 101Course 202Course 303Course 404
Program Learning Outcome 1
Program Learning Outcome 2
Program Learning Outcome 3
Program Learning Outcome 4


In libraries, curriculum mapping is often used to guide the library’s instructional efforts, mapping course learning outcomes against ACRL’s Framework for Information Literacy (Khailova, 2021, p. 2). Bullard and Holden (2008) share four key advantages to conducting a curriculum mapping project:

  1. Key courses where information literacy instruction can be delivered at the point of need can now be prioritized with evidence. 
  2. New faculty outreach opportunities and potential instruction inroads are discovered, again with evidence to support the effort. 
  3. Departmental language surrounding information literacy is discovered, allowing librarians and faculty to speak the same language.
  4. Librarians are kept up to date on current departmental needs, further helping the library provide relevant services to the department (pp. 17–18). 

The benefits shared by Bullard and Holden (2008) make it clear that curriculum mapping projects benefit libraries, in spite of the time investment required to create and upkeep a map. While examples of libraries and librarians conducting curriculum mapping projects are easier to find today, Bullard and Holden’s outline for how to conduct a curriculum mapping project at your library is still helpful: gather syllabi from the department or faculty; analyze learning outcomes for information literacy components and weaknesses; draft your map, using departmental language; gather feedback from departmental faculty with whom you already have inroads; incorporate their feedback; begin marketing to whole department (2008, p. 21). As you gain more feedback from faculty about the map, you can grow and adapt the map to better suit your needs as a liaison. 



References and Further Reading

Archambault, S. G., & Masunaga, J. (2015). Curriculum Mapping as a Strategic Planning Tool. Journal of Library Administration, 55(6), 503–519. https://doi.org/10.1080/01930826.2015.1054770

Castro, G. A. G., & Eldermire, E. (2015). Laying the groundwork for information literacy at a research university. Performance Measurement and Metrics, 16(1), 4–17. https://doi.org/10.1108/PMM-12-2014-0044

Buchanan, H., Webb, K. K., Houk, A. H., & Tingelstad, C. (2015). Curriculum Mapping in Academic Libraries. New Review of Academic Librarianship, 21(1), 94–111. https://doi.org/10.1080/13614533.2014.1001413

Bullard, K. A., & Holden, D. H. (2008). Hitting a Moving Target: Curriculum Mapping, Information Literacy and Academe. 5.

Jacobs, H. H. (2004). Getting Results with Curriculum Mapping. Association for Supervision & Curriculum Development. 

Khailova, L. (2021). Using curriculum mapping to scaffold and equitably distribute information literacy instruction for graduate professional studies programs. The Journal of Academic Librarianship, 47(1), 102281. https://doi.org/10.1016/j.acalib.2020.102281

Truesdale, V., Thompson, C., & Lucas, M. (2004). Use of Curriculum Mapping to Build a Learning Community. In Getting Results with Curriculum Mapping (p. 15). Association for Supervision & Curriculum Development.

“’Help Me Understand’: Keeping Up With… Trauma-Informed Pedagogy”

August 11, 2021

The Association of College and Research Libraries (ACRL) recently shared its “Keeping Up With…” edition, which is sponsored by the American Psychological Association (APA). In this edition, Desirae Zingarelli-Sweet, the reference librarian at Colgate Rochester Crozer Divinity School (New York), speaks about the necessity of trauma-informed pedagogy within higher education. For several decades already, K-12 educators and policymakers have been tasked with the struggle to define “trauma-informed;” on the flipside, this same conversation within higher education has only been gaining momentum over the past five to ten years, with much of the discussion having its origins in social work education.

Given the circumstances of 2020, which have been characterized as “cascading collective traumas,” the topic of traumatic stress and its lingering effects has been more frequently discussed within higher education. Traumas such as the COVID-19 pandemic, economic recession and fall-out (primarily due to the coronavirus), racial tension and division, and a political polarization within the United States, the likes which have most likely not been witnessed since the Civil War, “have disproportionately hurt minoritized communities and those of low socioeconomic status, deepening existing inequalities and compounding race-based historical traumas” (Cohen Silver et al. 4). Coupling these collective traumas with individual potentially traumatic events, such as life-threatening illness, loss of loved ones, loneliness and depression from the isolation and social distancing brought on by the pandemic, unsafe neighborhoods, and police brutality, can continue to have negative impacts on our short-term and long-term mental health (Cohen Silver et al. 4-5).

*(Davidson 4)

The Substance Abuse and Mental Health Services Administration (SAMHSA) defines psychological trauma as “results from an event, series of events, or set of circumstances that is experienced by an individual as physically or emotionally harmful or life-threatening and that has lasting adverse effects on the individual’s functioning and mental, physical, social, emotional, or spiritual well-being” (7). This is definitely a significant broadening of the definition of trauma in recent decades, extending well beyond clinical diagnoses of post-traumatic stress disorder, or PTSD. Trauma can be experienced when an individual’s coping mechanisms for maintaining control, connecting with others, and having a sense of meaning are overwhelmed by external stressors. This in turns leaves the person with intense feelings of helplessness and terror (Herman 33-34).

There are some basic types of trauma. Acute trauma refers to a single episode of an unexpected event which causes immense stress on an individual’s coping mechanisms, such as a car accident, one-time rape or attemped murder, or a catostrophic weather event. Complex or developmental trauma refers to sustained or repeated episodes of trauma and stress, such as living with a life-threatening illness, combat, continuous physical or sexual abuse, severe, ongoing neglect, or poverty. Continuous traumatic stress or historical/generational trauma addresses the repercussions of stressors triggered by “ongoing, systematic, and/or cumulative group trauma,” which includes racism, slavery and its lingering effects, or discrimination based on one’s gender, disabilities, and so forth (Kira et al. 181). 

*(Davidson 6)

According to Janice Carello and Lisa D. Butler, traumatic stress is something that affects postsecondary students: 66%-94% of students report experiencing at least one traumatic event by the time they start college, with 9%-12% of first-year students meeting the clinical criteria for PTSD (263). Academic environments can play a key role in facilitating students’ recovery from traumatic stress in a favorable, positive way towards cultivating resilience, “but only if [the students] feel safe enough to experiment with new solutions” (Van der Kolk 351). This is where trauma-informed teaching principles and strategies come into focus. Based in part on SAMHSA’s six key principles for adopting an organizational trauma-informed approach, Janice Carello’s seven principles for trauma-informed postsecondary teaching and learning (which can also be applied to information literacy and library instruction) are as follows:

  1. Physical, emotional, social, and academic safety. Respect the students’ individual needs and create a safe, inclusive environment where students can be at ease with making and learning from their mistakes.
  2. Trustworthiness and transparency. Establishing trust with students is essential; make expectations clear, operate transparently, be consistent and reliable, and maintain appropriate boundaries.
  3. Support and connection. Using appropriate sources, facilitate peer support and connection.
  4. Collaboration and mutuality. Make sure students have adequate opportunities to contribute input and make decisions cooperatively.
  5. Empowerment, voice, and choice. Allow students to build competence and self-confidence whenever possible by having them make their own decisions.
  6. Social justice. Honor each student’s experiences and identities by creating awareness of incidences of privilege, power, and oppression.
  7. Resilience, growth, and change. Provide feedback to emphasize strengths and resilience over deficiencies (10-11).

As a majority of colleges and universities across the country are expecting to make full, “normal” returns to campuses this month, we must keep in mind that collectively, our students have been through unprecedented circumstances over the past eighteen months. Even the experience of physically being on campus, in a classroom, and interacting with people in the flesh as opposed to virtually is going to be overwhelming for some. Heightened awareness of equity, diversity, and inclusion may spark heated discussions about oppression and discrimination which can trigger recollections of traumatic events. Creating a safe environment to communicate empathetically, enforce connection, and reassure is essential. A very useful phrase to ignite conversation is “help me understand.” Empower students to make the best decisions possible for themselves and their learning by being flexible and allowing choices whenever possible, such as with seating, lighting, and mode of participation (Carello 10-11). Be sure to invite students to share how they are feeling at key junctures, but do not mandate participation (Carello and Butler 270). Another useful trauma-informed teaching strategy is to avoid the romanticization of trauma narratives or the implication that such trauma is desirable. This can invite the disclosure of trauma experiences among the students without having the appropriate environment or adequate support already in place (Carello and Butler, 162, 164).

Shannon Davidson’s Trauma-Informed Practices for Postsecondary Education: A Guide is available as a free download and offers valuable advice on trauma-informed practices and strategies. Because recent events continue (and will continue) to instrumentally affect how we relate to our students, Zingarelli-Sweet concludes, it is a perfect opportunity for librarians to take advantage of recent advances in other fields and to more deeply integrate current understandings of trauma and learning into their instructional practice.

Carello, Janice. “Examples of Trauma-Informed Teaching and Learning in College Classrooms.”

Trauma-Informed Teaching & Learning: Bringing a Trauma-Informed Approach to Higher Education, Mar. 2020,

https://traumainformedteachingblog.files.wordpress.com/2020/03/examples-of-titl-in-coll ege-classrooms- 3.2020-color-3.pdf. Accessed 10 Aug. 2021.

Carello, Janice and Lisa D. Butler. “Potentially Perilous Pedagogies: Teaching Trauma is Not the Same as Trauma-Informed Teaching.” Journal of Trauma & Dissociation, vol. 15, no. 2, 2014, pp. 153-168.

Carello, Janice and Lisa D. Butler. “Practicing What We Teach: Trauma-Informed Educational Practice.” Journal of Teaching in Social Work, vol. 35, no. 3, 2015, pp. 262-278, www.tandfonline.com/doi/pdf/10.1080/08841233.2015.1030059?needAccess=true.

Cohen Silver, Roxane, et al. “Coping with Cascading Collective Traumas in the United States.” Nature Human Behaviour, vol. 5, no. 1, Jan. 2021, pp. 4-6. https://www.nature.com/articles/s41562-020-00981-x.pdf.

Davidson, Shannon. Trauma-Informed Practices for Postsecondary Education: A Guide. Education Northwest, 2017.

Herman, Judith. Trauma and Recovery: The Aftermath of Violence – From Domestic Abuse to Political Terror. 1R ed., Basic Books, 2015.

Kira, Ibrahim A., et al. “The Dynamics of Cumulative Trauma and Trauma Types in Adults Patients with Psychiatric Disorders: Two Cross-Cultural Studies.” Traumatology, vol. 19, no. 3, 2013, pp. 179-183. https://psycnet.apa.org/doiLanding?doi=10.1177%2F1534765612459892.

 Substance Abuse and Mental Health Services Administration. SAMHSA’s Concept of Trauma and Guidance for a Trauma-Informed Approach. HHS Publication No. (SMA) 14-4884, 2014.

Van der Kolk, Bessel. The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma. Penguin Books, 2014.

OER Opportunities

August 2, 2021

Curious about OER? Looking to do more? Wherever you are in your OER “journey,” consider attending the upcoming 2021 OER Summit sponsored by Affordable Learning PA.  With its theme of Journey to Affordability, the third annual ALPA Summit will help get you energized about open and affordable learning at your institution and across the state. ALPA Summit will take place virtually August 17th – 19th. Keynote speakers are Jeff Gallant of Affordable Learning GA and Alexis Clifton of SUNY Geneso.

Register Here: https://alpasummit.learningtimesevents.org/registration/ (full program coming soon).

A second opportunity for OER professional development is the OpenEd Conference, happening virtually October 18th – 22nd. The cost for OpenEd is $75 ($25 for students).

Lastly, if you’re looking to get plugged in, there are a few ways to get involved with ALPA including: volunteering to be an ALPA Campus Partner or joining one of the ALPA Working Groups. Together we can make learning more open, affordable, and accessible in Pennsylvania!

Gearing Up: Online Access and Digital Preservation of Catholic Newspapers for the Sake of Scholarship

July 29, 2021

Gearing Up is a virtual round table discussion for learning more and asking questions about the CRRA’s Catholic News Archive, the dependable and freely available reference & research database of Catholic newspapers and other sources of news and opinion on historical and current issues, people, and events.

“Priests, Sisters Picket; Protests Aimed at Bias” – From The Catholic Advocate, 11 July 1963
  • What is the Catholic News Archive; Now and Going Forward? Discuss the basics about this unique full-text collection and the strategies and partnerships that made it possible. Panelists: Paul Bracke, Dean, Foley Library, Gonzaga University; and Jean McManus, Catholic Studies Librarian, University of Notre Dame.
  • Why is the Catholic News Archive useful? Discuss how librarians and scholars are using it for research and teaching, what digitizing partners get out of contributing content, and generally how this primary source discovery tool benefits the academy and the global community. Panelists: Justin Poche, Ph.D., Assoc. Professor of History, College of the Holy Cross; Karen Lesiak, CRRA Digitizing Partner, Hartford, CT; and Katherine Nuss, Information and Archive Services Manager, USCCB Communications.
  • How is the Catholic News Archive giving content the light of day and what makes it secure, reliable, and permanent? Discuss what goes on behind the scenes, how much goes into making things searchable/browsable/findable, learn about the extensive search engine optimization, platform services, and digital preservation. Panelists: Todd Jensen, CRRA Catholic News Archive Project Manager and Moira Edwards, Preservica.

Preservica is sponsoring this event and has a complimentary offer for attendees – see the details HERE.

This Round Table discussion is for librarians, scholars, archivists, teachers, and everyone interested in the dissemination, use and digital preservation of historical and current Catholic news content.

It is Wednesday August 18, 2021, 2:00 PM – 4:00 PM EDT

The Gearing Up Round Table is free and open to all, but attendees are asked to please register in advance. Those who register will receive instructions about access to enable their participation.

Here is the registration page.

For questions, assistance, or more information contact: Catholic Research Resources Alliance

Executive Director Jennifer A. Younger, Ph.D. (jyounger@catholicresearch.org)

230 Washington Avenue Extension, Suite 101, Albany, NY 12203 United States